It is 1836 and a pioneering new essayist has just made his debut. His first work is entitled "Nature," a simple and concise name for an elaborate and layered piece. It is a bizarre article, one which lionizes the natural earth and calls on the younger generations to break away from their forefathers and to formulate their own ideals and beliefs. In a conservative culture, this radical author, who publishes his work anonymously at first, creates quite a stir, enough that even Walt Whitman admits "he brought me to a boil." His name is Ralph Waldo Emerson. This literary giant from Harvard University is a proponent of a movement known as transcendentalism, a system of beliefs which hails the beauty of nature and extols the divine presence which is made manifest through the earth. Emerson promotes self-reliance, civil disobedience, and a wholehearted admiration of the natural word, rapidly recruiting other great minds such as his contemporary Henry David Thoreau.
[...] This overemphasized sense of balance in society will result in only revolution and radical ideas, as Emerson and the flower children exemplify. The Emphasis on Nature “Nature never wears a mean appearance.” Emerson was truly a fanatical fan of the natural world. the woods,” he claimed, find reason and faith.”1 This idealized look at nature is one which carries pretty heavily into the Hippy Culture. With emphasis being put on movement to the suburbs and life in the city, the natural world was being increasingly forgotten in the 1960's. [...]
[...] 1 Courtesy of Google Images The Beatles with their Indian Guru 2 Ralph Waldo Emerson 3 Hippies outdoors at a music festival Bibliography 1Emerson, Ralph W. "Nature." The Selected Writings of Ralph Waldo Emerson. Ed. Atkinson Brooks. New York: The Modern Library 2Dylan, Bob. "Blowin' in the Wind." By Bob Dylan. Rec The Freewheelin' Bob Dylan. Columbia Records. 3Simon and Garfunkel. "America." By Paul Simon. Rec Bookends. Columbia Records. 4Didion, Joan. Slouching Towards Bethlehem. New York: Farrar, Straus, and Giroux [...]
[...] Basically, what is being observed from both Emerson and the Flower Children is a reaction against conservative culture and fear in society. As I stated earlier, the times were very similar. Emerson's culture prized reserve and conservatives. In the same way, the 1950's had been a time of conservative movement and unity in America, building up the middle classes and emphasizing the structure of society with very similarly designed houses, almost identical cars, and the portrayal of the “correct” American family on television. [...]
[...] 1 Courtesy of Google Images The Beatles with their Indian Guru 2 Ralph Waldo Emerson 3 Hippies outdoors at a music festival Bibliography 1Emerson, Ralph W. "Nature." The Selected Writings of Ralph Waldo Emerson. Ed. Atkinson Brooks. New York: The Modern Library 2Dylan, Bob. "Blowin' in the Wind." By Bob Dylan. Rec The Freewheelin' Bob Dylan. Columbia Records. 3Simon and Garfunkel. "America." By Paul Simon. Rec Bookends. Columbia Records. 4Didion, Joan. Slouching Towards Bethlehem. New York: Farrar, Straus, and Giroux Emerson, Ralph W. [...]
[...] New York: Gale Group Ralph Waldo Emerson and the flower children It is 1836 and a pioneering new essayist has just made his debut. His first work is entitled a simple and concise name for an elaborate and layered piece. It is a bizarre article, one which lionizes the natural earth and calls on the younger generations to break away from their forefathers and to formulate their own ideals and beliefs. In a conservative culture, this radical author, who publishes his work anonymously at first, creates quite a stir, enough that even Walt Whitman admits brought me to a boil.” His name is Ralph Waldo Emerson. [...]
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