Status of Dramatic Serials in India and South Korea

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[...] Statista. https://www.statista.com/topics/10801/demographics-of-india/#topicOverview Sinha, R. (2023, November 12). India government introduces draft bill to regulate broadcasting and digital media. Www.jurist.org. https://www.jurist.org/news/2023/11/india-government-introduces-draft-bill-to-regulate-broadcasting-and-digital-media/ Statista. (2023). South Korea: export value of k-dramas by type of broadcast 2020. Statista. https://www.statista.com/statistics/1274248/south-korea-export-value-of-kdramas-by-type-of-broadcast/ The World Bank. (2023, September 27). India Overview. World Bank; World Bank. [...]

[...] (2017, May 9). South Korea profile - Media. BBC News. https://www.bbc.com/news/world-asia-pacific-15291415 S. (2023, October 8). The Power of Film: How South Korean Films Alter Legislation Over Pressing Domestic Social Issues. International Relations Review. https://www.irreview.org/articles/2023/10/8/the-power-of-film-how-south-korean-films-alter-legislation-over-pressing-domestic-social-issues Hahn, B., & Young Ick Lew. (2019). South Korea - Economic and social developments. In Encyclopædia Britannica. https://www.britannica.com/place/South-Korea/Economic-and-social-developments Kim, Oh, C.-B. C., Kim, H. S., Lee, J.-C., & Bang, S.-H. (2023, January 6). [...]

[...] Media history in South Korea includes periods of censorship and state control. This was particularly true during the military regimes that ruled from the 1960s to 1980s. These regimes suppressed unpatriotic content (Selina, 2023). South Korea's media policies have changed from censorship to a more liberal approach. The Broadcast Act governs content distribution and sets minimum airtime requirements for locally produced programs. South Korea has evolved its cultural policies from censorship and control by the state to encouraging creative freedoms and supporting artists. [...]

[...] This comparative analysis explores the dramatic serials produced in India and South Korea. In this comparative study, we examine the dramatic serials in India and South Korea, which have their own socio-economic landscapes and media environments. Our goal is to understand the intricate nature of television programs and the factors influencing melodramatic tales' production, distribution, consumption, and reception. By examining the economic development of both countries, the media control mechanisms and regulatory frameworks, the key industry actors, and the accessibility of dramatic serials, we hope to uncover the similarities and differences between their television landscapes. [...]

[...] The same is true in South Korea. Melodramatic serials are available through various platforms including cable television, streaming services, websites, and international channels. Cable channels, such as TVN and JTBC, attract a significant audience with melodramatic programming. These channels air popular serials, captivating viewers through compelling narratives and engaging performances. Netflix, for example, has emerged as a major player in the delivery of Korean dramas worldwide, with various serials that highlight Korea's rich storytelling culture. Official channels on video-sharing websites like YouTube are often the source of online episodes, while official TV channel websites provide them. [...]