Culler - Tourist is interested in everything as a sign of itself

Extract

[...] She will not acknowledge it as a miracle, but you get the feeling that that was the whole point of the story. Leone (2012) attempts to elaborate the cultural semiotics of toilets. He examines the works of the philosopher Slavoj Žižek. Žižek recalls a famous sequence of Buñuel's movie The Phantom of Liberty (1974). Here, alimentary and ‘excrementitious' practices are inverted. Four people defecate around a table while conversing affably, whereas when they want to eat something, they slip away into a private closet. From this, he draws inspiration and elaborates a triangle of ‘excrementitious' cultures. [...]

[...] Culler - Tourist is interested in everything as a sign of itself Contents I. Culler II. Theoretical Perspectives III. Conclusion Culler Culler (1981, p106) noted tourist is interested in everything as a sign of itself. He insinuates, in simple terms that the tourist is looking for certain preset characteristics in places they visit that denote the people's culture. For them, these behaviors they have previously seen or read about is a sign of that people's culture. Which begs the question, does travel journalism tend to confirm or challenge cultural stereotypes? [...]

[...] I was able to show how newspaper articles point and entice people to visit places, how several signs and markers are construed to illustrate the cultures of several people. I have proved that tourists visit places looking for the both the familiar and the authentic. I have even been able to show how one can tell the culture of the people by looking at the design of their WC's. All this got me thinking that modern tourism, which has reduced cultures to signs and the distinction of those signs, is nothing but a facade for the capitalist world. [...]

[...] He states that the modern man is interested in things, sights, customs and cultures different from his own because they are different. He appreciates the experience of strangeness and novelty valued for their own sake.' Tourists, according to Cohen, look for both familiarity and strangeness in the tourism experience. He stresses that not all tourists look for strangeness in different cultures. Some tourists deliberately look out for familiarity when they are away from their culture. He then conducted a study to identify whether tourists are looking to experience strangeness familiarity. [...]

[...] Marketing of this nature is inevitable because of the British influence in Barbados. Some even call it Little England because the island has reminders of its colonial masters with place names such as Dover and the many reminders of colonial architecture in houses of former slave and plantation owners. The islanders are warm and friendly towards the stream of visitors, and the culture of the island is fairly liberated compared to the general attitude to cultural expression in the US and Europe. [...]