Professionalism, journalism, communication technologies
The emergence of new communication technologies offers the recontextualization of a large set of spheres of collective experience, their knowledge and practices. Journalism is one of these spheres, constituted as a specialized competence within the field of social narratives, which, from the early stage of modernity gained importance in the developed set of operations to consolidate and take what generally is called Western culture. Produced within a highly institutionalized system, marked by the standard and technology, journalism will slowly migrating to a room dominated by the machine, in a world that offers comprehensive and transparent. This transmutation occurs slowly and often without their operators are unable to realize the subtlety of this displacement.
Journalism professional develops a series of activities based on a set of procedures capable of transmitting versions of facts or events. Its basic function is to report with maximum precision and cohesion possible what happened. The techniques used will be specific to each audience and communication vehicle.
Currently, professional journalists for activity options has proven quite vast. In addition to the traditional media - newspaper, radio and TV - there is a market which, although still maturing phase, proves to be very promising: the Internet, that is, the electronic journalism.
[...] Rio de Janeiro, the City of Rio de Janeiro BUNNY, José Teixeira. Apeste language. Folha de Sao Paulo, 03/30/97 notebook More, p CUNHA, J. C's. And the theater performer. Interview. Serial, n.14, July / SET button FERAL, J. The Greeks in Cartoucherie: search forms. Serial, n.14, July / SET button GAMA, Lucia Helena. In the Bar of Life: Cultural production and sociability in Sao Paulo-1940-50. [...]
[...] The artists then, state employees, fulfilled an educational function, as interpreters of a collective state of mind: democracy. According to Cunha (2002, p.13) On days as misfits, becomes increasingly distant this idea of theater as an aesthetic responsible educational element. Increasingly becomes difficult to maintain large cast of groups and stable and risk already say that in our society the theater is not an element whose importance is real. Increasingly we see the theater concerned in doing theater for yourself or for the mainstream media, and artists waiting for their rise in major means of dissemination, forgot your possibility of training, social and cultural intervention. [...]
[...] Professional journalism can not stay only with university education. Society demands it an improvement, a specialization in certain cases, a deeper knowledge of the news production process. The social culture is complex and is becoming more complex. The advent of alternative media and multimediatic provide a very broad base of information for people. According to Piedrahita (2000, p.136): A time before the professionalization of Brazilian journalism, as in the decade of 60, the space of newspapers and magazines was occupied by the producers, the writers, by academics and intellectuals who reflected on the various artistic fields. [...]
[...] London: Summmus 1988. MELO, José Marques. The opinion in the Brazilian Journalism ed. Petropolis: Voices ORTIZ, Renato. The Modern Brazilian Tradition: Brazilian Culture and Cultural Industry. 5th ed. Sao Paulo: Brasiliense PIEDRAHITA, Manuel. Modern Journalism: History, Prospects and Trends Towards the Year 2000 Lisbon: Maple PIZA, D. Cultural Journalism. London: Context PRADO, Decio de Almeida. [...]
[...] The actor João Caetano formed in 1833, a Brazilian company. His name is linked to two key events in the history of the national drama: the premiere, on March part Antônio José or The Poet and the Inquisition, Magellan Gonçalves authored, the first written by a Brazilian tragedy and the only national issue; and October the premiere of the play The Justice of the Peace in Roca, Martins Pena authoring, called at the time of the "Brazilian Moliere," which opened seam of the comedy of manners, the most characteristic genre of tradition Brazilian scenic. [...]
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