Places and means of access to culture are very numerous and very diverse. However, one often makes a deliberate approach to access knowledge: visit a museum, surf the net, participate in classes etc. Fortunately, there are areas of universal access, all you need is to keep your eyes and ears open, together with the spirit: at home, during family discussions, in school, or in the countryside during walks etc.
The place that would be the most universally accessible is the street: there is no place more accessible or open. In the past, the walls of the street served as a medium of information through the notice posters stuck on it.
Even today, we notice that this medium is being used as a place of communication and action. For a while now, these walls have increasingly become the refuge of the precursors of the artistic movement, who indulge in spectacular displays of artistry, which are more or less publicized.
The allure of this form of art lies in the fact that posters and information notices are a common sight on the streets, while, murals, graffiti and representations of hip-hop are harder to come by. Moreover, many artists including photographers and painters use the street for their projects. This makes one wonder about the cultural contributions to our intellect and how they are received.
Awareness of the street as a tool and a cultural venue has been present since time immemorial. We will, however, reveal all facets of street art.
Before newspapers came into existence, the only ways to communicate ideas were through discussions on the street. The information could come from representatives of the aristocracy or hawkers. They went around the countryside and the villages. Thus, the population was kept abreast of developments such as tax increases, for example.
There were also displays with the underlined words: "Notice to the public". All this happened on the street, which was the meeting place as well as the venue for distributing information for several ages.
Tags: Street art, cultural venue, Street performances
[...] Obviously, these graffiti artists and street dancers are now known as artists. I. The artists A very clear evolution of the discourse of artists is a part of the rise of GRAFFITI ART. They decided to end this triangle that encloses the work: the workshop, gallery and the museum. The art goes beyond the boundaries assigned to it by invading the streets. Daniel Buren had the idea of breaking the usual rules of art by using the city as if it were a museum. [...]
[...] They cover the genre of street art but are always related to contemporary art Every year in June, Cahors becomes a town of discovery and sleepless nights. The street becomes a universal museum. It becomes a wonderland, where people laugh, dance, and sing without moderation. At Perigueux, clowns and mimes take us back to our childhood. A delight for all ages, it is also an opportunity to see the performances of mimes of other countries, and helps open the heart and mind to other cultures. [...]
[...] In the art we study (RIPNYC-), we clearly saw that it was a tribute to a young man who had gone too soon. The FRELON group (see interview) that we met, wants to beautify the urban heritage and wants to invest in walls to customize the site. Street = place of artistic intervention. Finally, thanks to the Internet, graffiti art has evolved. Now the graffiti artists around the world can see the graffiti of the world. There are several sites on the subject such as www. [...]
[...] A cocoon for art For the past two decades, urban culture has been developing. It has given life to new art movements such as STREET ART * and Hip-hop dance. It took them a few years, however, before being officially recognized as art. TAG & GRAFFITY: The penalty incurred by graffiti art is 3 months to 2 years in prison and 2500F to 50000F in fines. It is said that a tag can make up to * 40000F in damages in 3 minutes. [...]
[...] Vostell, for example, reproduces a street accident, and a plane crash. In close association with the current happenings, FLUXUS * organized numerous events such as concerts, or activities surrounding diverse events. It reproduced "pieces of life in its raw material" (Catherine Millat, art historian). PERFORMANCE A * is also an art that requires action on the street. The basis of performance is an artistic event. The result does not matter, but the result is favored. Thus, we observe that the street is a tool for artists. [...]
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